![]() These files are installed when you run the Source-Connect installer by default. Using Remote Transport Sync requires that ReWire and the Source-Connect Se ReWire files are properly installed. In RECEIVE mode: the remote user is controlling the transport Installing ReWire for Remote Transport Sync In SEND mode: this user is controlling the transport One person will be the RTS-Receiver and select the RECEIVE button on the RTS window. One person will be the RTS-Sender and select the SEND button on the RTS window. When using Remote Transport Sync (RTS), it is important to remember that only one person can be in sync at a time. NOTE: In Source-Connect Standard you only have access to ADR mode. Whoever is in SEND mode (the 'sender') is controlling the session of the 'receiver', however there are two ways of sending RTS: ADR mode and Review/Mix mode. If you understand these 2 concepts, reading further may not be necessary:ĪDR (Automated Dialogue Replacement): If you press Play on the RTS panel: Sender chases Receiver REVIEW: If you press Play on Pro Tools Transport: Receiver chases Sender (Pro ONLY) Consider who needs to be in sync and who is going to control the session. In all cases when using Remote Transport Sync, the following 2 rules hold true. ![]() Basic use and installation Two Important Rules * Windows 64-bit support is not currently available. While this guide is specific to Pro Tools the same principles apply to all compatible hosts. Remote Transport Sync is available for all supported platforms that support ReWire*. Use the RTS Checklist when preparing your sessions. Both Pro and Standard plug-ins provide a button panel which you can use to control the session. If the studio for WHATEVER reasons won't/can't spend the money on ADR tools then spending more time in prepping the session allows for a smoother session, which allows for happier clients which allows for more sessions which allows for more money to buy tools to make smoother sessions and so on.Source-Connect Pro and Standard both offer Remote Transport Sync which allows you to control a remote Pro Tools session while playing in perfect synchronization. The old adage that time is money comes to mind. CAROL_ADR_R1_LINE01_01, CAROL_ADR_R1_LINE01_02, etc) without having to retype track names or rename regions in the heat of a recording session. ![]() ![]() By using the extra tracks, you still use the method steppenwolf68 mentioned, but by recording each line to it's own named track PT will autoname the lines for you (i.e. These are just two tips that help leverage what PT DOES do well. Kinda goes without saying that an ADR session should be prepped in advance, and the original post made it clear that the users understand the basics (beeps and so forth), but specifically the question was about how to use PT for ADR WITHOUT any additional software that helps in the preparation and/or recording. I just finished 8 days of Foley using this method. One button can be programed to move the beep file forward, and another button can move it backwards from it's last location. Then once you have your curser where the loop wants to start, just hit a button on your track ball to put the tail of the beep file at the curser location. You can build a preroll into your beep file, or set a preroll into pro tools for recording. You just have to have a dedicated track for the beeps, and keep your curser on that track when you are ready to move it. In fact, the macro can actually move the beep file from it's current location on the window to where ever your curser is reset to. If you have a track ball like the Kensington, you can write a quick little macro in it that will paste the tail of the beep file from your clipboard to where ever the curser is sitting. One way is to make a beep file with 3 beeps and keep it in your clipboard and paste the tail of the file where you want to start recording. ADR Studio works great, but if this is not possible then you can do it without this plug in.
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